![]() Internet access for downloading the plug-in(s) and managing the license(s). Any VST, VST3, AU, or AAX (Pro Tools 10.3.7*, 11.0.2 or higher) compatible host application. 1 GB RAM or more, and at least 6 GB hard disk space for installation (individual plug-ins take less space). Intel Core 2 Duo, AMD Athlon 64 X2 or newer. Or use Heartbeat's instrument and EQ modules in Modular." This aside, now my Madi FX is up and running, I am hugely impressed with it on all other fronts."Use the built-in effects and the innovative Auto Layer Machine to take your beats to unexpected places. It does appear other vendors such as UA and SSL deal with the issue more elegantly. We're not talking about corner-case instability here, we're talking about complete failure to load Pro Tools, so either it simply wasn't tested or RME decided it didn't matter. Yes, it's a limitation in Pro Tools Native, but also I expect more from RME than to release a product like this with evidently no testing on a very widely used DAW. I do find this all a bit disappointing though to be honest. I didn't find this necessary, but I imagine some people might. It's worth noting that the CPU usage for Jack goes up with the number of channels used, so if, for example, you're tracking with up to 32 channels of input but only using 2 or 4 outputs until mix time, you can save some CPU during tracking by reducing the number of virtual output channels. My Mac isn't particularly modern either, so the CPU overhead doesn't appear to be dramatic. I've just recorded and mixed a large session with Jack sitting between the Madi FX and Pro Tools, and had absolutely no issues whatsoever. On closer inspection Jack doesn't add any latency at all, only additional CPU overhead: I was wondering if you new how well the latency compensation worked via jack when adding tracks or punching in? It would be great if you could write up a post about that on the forum I also believe Antelope Audio has address this with their Orion32, which is 32 analog io along with 16 channels of ADAT IO. so when using AlphalinkMAX attached to it, I can select with I want ProTools to see 24 analog io plus 8 Digital inputs, or if I want 24 Digital and 8 of the analog. For example since MADI is a 64 channel format (or 32 at high sample rates) they have the ability to select which banks of inputs are seen. SSL does this as well with their MadiXtreme64 and 128 cards. "Universal Audio updated their drivers with a ProTools mode to allow proper communication and selection of channels for route. It looks like it must be possible in the driver. Though I agree and see it is Protools problem I can't see them doing anything soon. However I read this qupote at the AVID forum and it seems SSL have written it into their driver. ![]() Mostly I use Samplitude on PC but have a number of other producers using my studio regularly that use protools on the MAC on my system so it's a bummer for them. Just bought a new Madi FX and have the same problem. The more people they hear from about it, the better. Not something that can be easily fixed on our side. ![]() Tell me if it works and I will report back to Avid. ![]() ![]() you should see all available channels on the MADIFX but only be able to use the first 32I/O due to PT restrictions on third party devices. open 'I/O.' under the pro tools setup menu.ħ. in the playback engine dialogue found under the setup menu choose 'pro tools aggregate device' from the pull down menu.Ħ. make sure you exclude any other audio interfaces from the aggregate device by un-checking its box (this includes built in input/output.ĥ. check the box next to RME MADIFX to include it in the aggregate device.ģ. create a new aggregate device and name it 'pro tools aggregate device'Ģ. One of the chaps at Avid Australia made this suggestion.īasically you use an 'aggregate device' on the mac to trick pro tools into accessing the MADIfx driver.ġ. I don't have an RME MADIfx card or I would. ![]()
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